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  1. 131
    WHY GIRLS SHOULDN'T DRINK

                                             

    image

    via falchuk

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      1. 16

        Sometimes I feel the bonecrushing weight of the universe, and I am overwhelmed by the concept of time and the existence of love. Other times I eat like four things of Easy Mac and listen to Ke$ha.

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          ruineshumaines:

          Dreams Result in More Dreams by Daniele Buetti.

          Perforated photographic prints on aluminium lightbox.

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          1. 214

            My semicolon. For Virginia Woolf, who never met one she didn’t like; and for David Foster Wallace, who used them best.

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            1. 16
              September

              theaudiencecollective:

              Some years I’d open six or eight pomegranates
              in one afternoon, standing in the kitchen
              to separate pith from pulp, cradling a knife
              in a penumbral palm, the tap of the blade
              against the metal sink, the soft ghostly bodies
              of rotten seeds floating in a bowl of stained water.
              My parents named me for a woman who gave
              milk and shelter hand in dissembled hand
              with hammer and stake. Those who fell
              asleep at her feet woke fixed and bloodied
              at their temples. Sometimes I feel this
              wish for someone there, just as a mirror
              to capture my hands raising the weapon in profile,
              to prove I am doing things and can be beautiful.

              An excellent poem by my long time internet-friend Yael Levy.

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                Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.
                Ray Bradbury
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                  Quotable Arts by Evan Robertson / Obvious State

                  High quality giclée prints available at etsy. Distilling literary quotes from a handful of the masters down to a single graphic representation, Evan captures the raw concept of the sentence and makes it damn purty to look at as well.

                  (via: fab)

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                  1. 9
                    The Seamus Heaney poem got me. My mother passed away five years ago (in 3 weeks time) and after she died we had a commemorative bench with that poem inscribed on it along the boardwalk of Lake Ontario where her window looked out on. She, though a very composed woman, had a schoolgirl crush on the Heaney and finally met him in her fifties. You posting this today seemed like she was giving me a little 'I'm here even on strangers blogs' poke. Thanks for posting.

                    That is beautiful. My mother is still living, though barely in my life, and though I couldn’t come close to understanding a meaningful passing like his or yours, it still affects me deeply as well. Those lines in particular are core-shaking. Those simple memories that represent closeness and how they stay with you and later in life ascend their own simplicity is nothing short of gorgeous, heartbreaking, and real. Thank you for sharing that with me and I’m always insanely glad to see any silly thing I post that I love can resonate with someone else. Of course she’s here. You’re alive aren’t you?

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                    1. 13

                      When all the others were away at Mass
                      I was all hers as we peeled potatoes.
                      They broke the silence, let fall one by one
                      Like solder weeping off the soldering iron:
                      Cold comforts set between us, things to share
                      Gleaming in a bucket of clean water.
                      And again let fall. Little pleasant splashes
                      From each other’s work would bring us to our senses.
                      .

                      So while the parish priest at her bedside
                      Went hammer and tongs at prayers for the dying
                      And some were responding and some crying
                      I remembered her head bent towards my head,
                      Her breath in mine, our fluent dipping knives —
                      Never closer the whole rest of our lives.

                      excerpt from Seamus Heaney’s “Clearances”
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